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Museum en Beeldentuin Nic Jonk

"inspiratiebron voor iedereen" met als doel "Behoud voor de Toekomst"
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Uniek levenswerk van kunstenaar Nic Jonk

Onze vaste collectie van Nic Jonk (beelden, schilderijen, grafiek, glas en perspexobjecten) .
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Workshop voor u of uw club bij Nic Jonk

Inspirerend: Schrijven, Schilderen , Filmen, Fotograferen, Tekenen en Beeldhouwen in atelier Nic Jonk, Workshop
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Varen in de eilandspolder vanaf Nic Jonk

Varen eilandspolder met Frank Klugt of Piet van Marle. Laat u verrassen in het prachtige natuurgebied Eilandspolder. Rondvaart onder leiding van de meestervertellers Piet en Frank.
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Nic Jonk museum & beeldentuin
In gesprek met Zeger Jonk
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De collectie olieverfschilderijen Nic Jonk

De schilderijen van vrouwelijke naakten van Nic Jonk hebben een zekere speelsheid. De schilderijen zijn dynamisch.

Kalender 2019

kalender 2019

Nic Jonk kalender 2019 € 15.=
Twee voor € 25.=

Bestellen via e-mail

of via tel. 0299-671560 of 06-53325569

Opening hours

Haviksdijkje 5
1843 JG Grootschermer.

 

Open from March 21 to Novemver 26th.
Wed-Thurs-Fri 12.00 – 16.00
Sat-Sun 11.00 – 14.00
in July and August Tue 12.00 – 16.00
Open on public holidays from 13:00 to 17:00.

Entrance € 7.50 per person
Including coffee/tea with Schermer cake

Entrance, coffee/tea and cake fencer and tour of museum, sculpture garden and workplace € 11.50 pp

Open by appointment
Tel: 0299 671560/ 06 53325569
E-mail:

red bather

Nic Jonk ‘red bather’ 150x120 cm olieverf op linnen

 

replica dans website

Nic Jonk  replicabeeldje "Dans" € 140.=

35 cm hoog inclusief granieten sokkel.

 

Bij aankoop gratis boek ‘’ beelden uit de lucht gegrepen’’ van Nic Jonk.

Bestellen via tel. 0299-671560 of

Voor aanschaf van een kunstwerk, kalender, boek e.d kunt u ook tijdens de Kerstdagen , na telefonische afspraak, langskomen.

Een leven vol beelden

 

biografie nic jonk

Biografie Nic Jonk. Schrijver Rob Bouber
ISBN 978 90 79915 25 5 Prijs: € 24,95

Lees meer

Excavations

Kees Box – Portrait of a driven amateur
Kees Box is a person who literally knows all the embankments, revetments–in fact the entire polder–like the back of his hand.
When he was only eleven, an uncle exposed him for the first time to splinters. His uncle used to dig holes now and then and had already managed to dig up quite a few nice items.

The enthusiastic stories about his finds and the history of Grootschermer found their way into the impressionable young soul and stimulated the young explorer to practice what he learned. He began searching along the banks of ditches and in the evening he would display his treasures.
Especially after dredging activities, he found the most items. He also benefited from the severe Dutch winters that were common in those days. Armed with a plastic bag, screwdriver and hammer, while standing on the ice, he searched the banks for objects, such as buttons and old lead seals (sometimes frozen into the banks). He always returned home with something. Because he quickly noticed that the dredged sludge from ditches often yielded additional objects and he didn’t want to wait until the next dredging, he constructed his own dredging device. He criss-crossed the polder in a rowboat foraging through peat moors and bogs with a hand drag and a net. After sieving, he often found small useful objects. Since then, the sensation of finding something has never left him.
Genuine excavation skills are something that Kees mastered only later. As a young amateur, he did hear that you first have to find the side of the old revetments. The places that by now have disappeared and where waste was thrown away or where farmwives washed their dishes.

“With some luck you start to dig a hole and sometimes you encounter a jug or bottle. If it had turned black by the peat or shattered into pieces, then it was simply thrown back.” Later he understood that every fragment was important and then everything was rinsed and sorted.

His father, who often saw his mud-covered son busy with his fragments, gradually also became enthusiastic about Kees’ findings.

Together they would spend days near holes–Kees below ground and father above. Sometimes he created pits that were four square metres and he assured me that the work was very heavy... The work had to be done methodically: spreading the soil, sieving and lastly packing the finds in crates. He looks back with pleasure at the joint efforts with his father. Their proven method: initially searching for a revetment, digging a test hole and searching for shards with a pricker. Thanks to this new approach, the ground started to yield more and more treasures. Kees’ girlfriend, Marieke, was not actually interested in his hobby, but rather in puzzles, but she changed her mind when out of a pile of shards, she managed to put together a majolica plate. This was to the great satisfaction of Kees, who preferred to leave the finicky work to others.

Ultimately, many objects were restored professionally.
Kees, an exemplary digger, never stuck a spade in the ground before getting the permission of an owner. Afterwards, the site was always left in perfect order. Kees has never sold or given away any of his finds; his ever-expanding collection–sorted and cleaned–by now is contained in many boxes and includes kitchenware and pipe bowls. It is worthwhile seeing. He has also never bought anything. All the objects in his collection are from his own region, Grootschermer, though he sadly notes that many treasure hunters in the 1970s have removed objects from this area. By now he has arranged many exhibitions in antiquities associations and he made quite an appearance in the TV programme ‘Between Art and Kitsch’. His greatest wish is to set up a museum in his own village so that everyone can enjoy the treasures he acquired with so much effort.